Viktor Sand

https://cispa.dk/  BA- Acting student at CISPA (Copenhagen International  School Of Performing Arts)

Kustaa Tuohimaa 

(GER) Up-and-coming actor, narrator and performing artist, working widely across text, voice and performance to investigate the human condition. Thriving to create atmospheric, poetic and visually strong work that communicates the essence of an idea; encouraging and transforming.

Nora Kopp

Copenhagen based acting student currently in my 3rd year of BA studies at Copenhagen International School of Performing Arts. BA in political science.

Roosa Honkanen

I am a cross-disciplinary, movement based (but not limited to!) and experiment prone actress from Vilnius, Lithuania. As a performer and theatre maker, I am excited about unexpected merging of forms and traditions in my work, as well as finding truthfulness through my creative processes. I like to think of myself as an Eastern theatre pioneer in the Western world of art.

Milda Sutkevičiūtė

Johanna Matilda Valle

Daniel Neil Ash

2nd year student in CISPA (Copenhagens International School of Performing arts) 

Aleksantra Korhonen

Emil Lietzin Houlind

Actress with over twenty years of experience. Graduating from CISPA (Copenhagen International School of Performing Arts) in summer 2022.

Mimma Määttälä

Creation Date

Feats x CISPA Workshop

Feats

VCR 

M.I.L.K

Brand Strategy and Identity

Widex

Signia

__Challenging the status quo__
Signia is a leading hearing aid brand that has been bringing iconic innovations to market that have shaped the hearing aid industry, helping make “life sound brilliant” for millions of people around the world.

However, as many as 9 out of 10 people with a mild to moderate hearing loss still do not have a hearing aid, so Signia realised something radically different needed to be done to help them.

__Be Brilliant__
As people’s performance, and thus potential, are being limited by hearing loss, we helped Signia reposition the brand to focus more on removing stigma and other barriers, in order to both attract more people to the category and challenge them to get the most out of their devices. A new brand promise leads the way – a call to action that is both a challenge and an invitation – a call to everybody with hearing loss to take action, to perform at their best, to Be Brilliant. Signia refuses to accept hearing loss as a limitation. It’s not about correcting a loss, it‘s about gaining an edge. Not just performing, performing brilliantly. Not just hearing again, but hearing better than ever. Hearing every word, beat, and breath. With Signia, you can Be Brilliant. The next challenge was to ensure the brand identity reflected the updated focus.

__Consumer excitement__
The needs and desires of consumers inspire and guide the brand. The identity engages them in the exciting possibilities prescription audio has to offer, embracing the power, beauty and emotion of people performing at their best.

An iconic new logo and set of brand beacons stand out across all touch points. Performance-enhancing innovations are portrayed in a way that makes them distinctive and memorable, invoking a conscious choice by consumers that want to express themselves, and take pride in performing at their best. Our tone is positive and inspiring, seeking to motivate people, and empower them with information that is easy to understand and act on. We are confident in our claims, and proud of the impact we have on
people’s lives.

URO - Shortfilm

Playground Production

Asta cries in while everyone else from high school drinks booze and parties. No one likes her and she is completely alone with her dark thoughts, she thinks. But one day, her friend Carl sends a meme that changes everything.

URO is a new short film about Asta that goes in 1Y. She has chosen to document her everyday life and record her life and everyday life, seen through her mobile. 

URO is made in collaboration with natuRO. natuRO is for you who are between 15-18 years old. In addition to being a nice respite, you will be introduced to some exercises that can make it easier to tackle the challenges you face. 

Rómeyja og Júlía

NFVÍ

Listafélagið setur upp nýja útgáfu af einni frægustu ástarsögu heims, Shakespeare-leikritinu Rómeó og Júlíu, þar sem aðalpersónurnar eru tvær stelpur, en ekki strákur og stelpa eins og hefur verið í þessu verki.
Sagan verður sett í nútímabúning, en verkið verður frekar tímalaust. Búningar eru enn í vinnslu, en hvíti liturinn mun ráða ríkjum í búningum og sviðsmynd. "Handritinu var töluvert breytt, sagan heldur sér alveg en við vildum taka út rímurnar, nema á þeim stöðum þar sem það passar verkinu betur. Samræður Rómeyju og Júlíu eru til dæmis alltaf í bundnu máli. Okkur fannst of þungt, bæði fyrir áhorfendur og leikara, að hafa textann svona þungan. Það passaði ekki alveg fyrir menntaskólaleikrit, en þau fengu góðfúslegt leyfi til þess að nota handrit í þýðingu Hallgríms Helgasonar.
Leikstjóri verksins er Bjarni Snæbjörnsson, leikari og leiklistarkennari.
[https://issuu.com/eyglomariabjornsdottir/docs/leikskralistofinalissuu](https://issuu.com/eyglomariabjornsdottir/docs/leikskralistofinalissuu)

Moving West 

Karla Werner Zeuthen Design

Moving West (2019). Explores the mental states you go through when following an opportunity all the way to a different country. The collection was made during an exchange semester at Aalto University in Helsinki, Finland, and was inspired by the American settlers and their struggles conforming to the new, harsh environments on the vast planes of the American prairie.

Designed by Karla Werner Zeuthen
Photography by Karla Werner Zeuthen and Jasmin Kharamani Madsen
Models from Le Management

www.karlazeuthen.com

1 x 1 Meter

TV 2

Saturday Night Fever - Söngleikur Verzló 2015

Sat­ur­day Nig­ht Fever er bíó­mynd frá ár­inu 1977, leik­stýrð af John Badham. Mynd­in ein­kenn­ist af diskó­dansi og líf­leg­um tökt­um Tony Manero, leikn­um af John Tra­volta. 

Leikstjórn - Þor­vald­ur Davíð Kristjáns­son
Handrit - Björn Bragi Arn­ars­son
Danshöfundur - Stella Ró­senkr­anz
Tónlistarstjórn - Kristján Sturla Bjarna­son og Brynj­ar Unn­steins­son
Söngstjórn - Helga Mar­grét Marzellíus­ar­dótt­ir

ED ELLI A ME

CISPA

A performative event to commemorate Italian maximum poet Dante Alighieri in the VII century anniversary from his death.

Starring:

Alberto Martinez Guinaldo as Dante,

the opera singer Fritjof Fuglesang,

and 37 students from the Copenhagen International School of Performing Arts (CISPA):

Noora Sofia Virta
Johanna Matilda Valle
Susanna Kaukonen
Joona Juntunen
Ada Josefine Moe
Ava Fernanda
Kustaa Tuohimaa
Farqad Al-juburi
Roosa Honkanen
Tuike Oja
Patrick Torring
Carolina Pazmino
Julius Chávez
Maria Freire
Birta Sól Guðbrandsdóttir
Minna-Mari Määttälä
Noora Sointu Vuorela
Claire Tht
Venja Laakkonen
Toni Riihiluoma
Sofia Ghedini
Nora Kopp
Liath Gleeson
Aleksantra Korhonen
Tara Sól
Fanny Paananem
Catarina Afonso
Inka Turtola
Helmi Linnosmaa
Atli Benedikt
Aldís Ósk Davíðsdóttir
Jón Gunnar Vopnfjörō Ingólfson
Deniz Kaya
Luukas Parkkonen
Alexander Granvik
Justas Randev
Matthías Harðarson

Dramaturgy and Direction: Giuseppe L. Bonifati, IT

Dramaturg and Acting Coach: Lars Henning, DK

Original Music: Claudio Passilongo, IT

Accordionist: Jónas Ásgeir Ásgeirsson, IS

Set design by Linda Sugataghy, HU

Choreography: Melody Putu, ZA

Assistant: Lide Martinez Abaigar, E

A partnership between DOO performing arts group (IT) / Det Flyvende Teater / CISPA – Copenhagen International School of Performing Arts/ University of Copenhagen- Department of English, Germanic and Romance Studies / Societá Italiana Dante Alighieri in Copenhagen (DK).

With the support of:
MIBACT – Italian Ministry of Cultural Heritage, Dante 2021,
Italian Ministry of Foreign Affairs,
Italian Cultural Institute in Copenagaghen,
Lasson Andersens Fond,
and the Municipality of Copenhagen

The Divine Comedy is a sacred poem by the Italian maximum poet Dante Alighieri (1265-1321), comprising three parts, Inferno (Hell), Purgatorio (Purgatory) and Paradiso (Paradise). Each of these are composed of 33 canti, plus an introductory canto. Altogether there are 100 canti, nearly 150,000 verses, written somewhere between 1307 and 1320. The Divine Comedy is more than a literary monument for the Western culture: it is a reference. Even for those who have never read it, this text makes sense and seems like a mythical country in which you visit the underworld, dreading punishments, in which you go through paradise, searching for the divine revelation. Many writers and artists have been fascinated by this text, its images, visions, hallucinations, the breadth of its registers (amorous, mystical, erudite, allegorical, political, poetical…). Many have wanted to translate it, to spread its treasures. A masterpiece of world literature which has accompanied thousands of generations in their growth and formation.


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